From behind the fence, the stones were restless.
Little bits of dust, undisturbed in nearly ten years by either animal or man, shook loose and fell to the mossy ground about the graves. The names, carefully carved into some of the soft, sandstone faces, shifted a little in the dim light from the window in the sexton's hovel.
The stones were restless. The light hadn't been there a few minutes before.
From inside the hovel came the sound of muttering, an indistinct sleepy sound. The light grew brighter as its source moved or was moved closer to the window. The glazing over the opening was imperfect, the glass itself was dimmed by the smoke of years of cheap candles and fat lamps, and small glimmers slipped out around the edges to caress and soothe the stones' collective distress. The sound resolved to a voice, and the muttering grew a little louder, a splenetic irritability creeping in. The light moved away.
The door to the hovel opened outward, the hinges of the door protesting their stiffness and waking nearby birds from their avian dreams. The light spilled in a rush over the stones, and what little warmth had been inside escaped with relief out of the claustrophobic little shack. The figure in the doorway held a candle in one hand, and something indistinctly spherical in the other. Setting the candle down on the closest stone, he raised the object, pulled a cork from it's apex and held it above his face, turning his open mouth up to drink of the water that poured out of what the moon silhouetted and revealed as a human skull. He closed his mouth and swallowed, turning his head downward and letting the water pour over his head. He lowered the skull, his father's he would have said to anyone who asked (though, oddly, no one ever did), and replaced the cork. He drew his sleeved arm over his face and shook the water out of what remained of his hair.
"Where the shaggin' 'ell," Solace said in a thin Welsh, diluted by long years away from his native home, "did I put that bloody shovel..?"
Little bits of dust, undisturbed in nearly ten years by either animal or man, shook loose and fell to the mossy ground about the graves. The names, carefully carved into some of the soft, sandstone faces, shifted a little in the dim light from the window in the sexton's hovel.
The stones were restless. The light hadn't been there a few minutes before.
From inside the hovel came the sound of muttering, an indistinct sleepy sound. The light grew brighter as its source moved or was moved closer to the window. The glazing over the opening was imperfect, the glass itself was dimmed by the smoke of years of cheap candles and fat lamps, and small glimmers slipped out around the edges to caress and soothe the stones' collective distress. The sound resolved to a voice, and the muttering grew a little louder, a splenetic irritability creeping in. The light moved away.
The door to the hovel opened outward, the hinges of the door protesting their stiffness and waking nearby birds from their avian dreams. The light spilled in a rush over the stones, and what little warmth had been inside escaped with relief out of the claustrophobic little shack. The figure in the doorway held a candle in one hand, and something indistinctly spherical in the other. Setting the candle down on the closest stone, he raised the object, pulled a cork from it's apex and held it above his face, turning his open mouth up to drink of the water that poured out of what the moon silhouetted and revealed as a human skull. He closed his mouth and swallowed, turning his head downward and letting the water pour over his head. He lowered the skull, his father's he would have said to anyone who asked (though, oddly, no one ever did), and replaced the cork. He drew his sleeved arm over his face and shook the water out of what remained of his hair.
"Where the shaggin' 'ell," Solace said in a thin Welsh, diluted by long years away from his native home, "did I put that bloody shovel..?"